17.6.10

show time!


show opens this friday 18th
6.00 - 8.30pm
Leeds College of Art, Blenheim Walk

5.2.10

FILM showing at 12.00 Weds 3rd of Feb


Paris Je t'aime is a film consisting of 18 short films set in the different arrondissments of Paris. Each film is was realized by a different director.
The film will be showing in the 3rd year seminar space. I hope you love it as much as i do! remember people BYOP (bring your own popcorn)

4.2.10

Adaptation (2009)











This project combines concrete and the concepts of body adornment. The wearer is confronted by the unusual mix of materials, perception and form. The piece is versatile and can be worn in a variety of ways. There is an element of balance and unity as the wearer adapts to the unusual characteristics of the work whilst the piece itself changes in form around the individual.

The work creates an essence of appreciation whilst offering an alternative perception towards relationships between form, function and material. This concept of changing perceptions through material innovation is the basis of my work which i intend to develop within the final major project.

3.2.10

Paper Beauty - Brief Introduction

'Paper Beauty' is an exploration of material manipulation and the link with society and the breakdown of structures. Initially, I began to use newspaper as the material that would later become the inspiration behind many ideas, which I intend of pursuing in my Final Major Project.

Newspaper to be represents many things - the recycling process and the whole community of this, the printed information, 'bad press' which causes problems and breakdowns in society, the disposability and disregard of newspaper as a material. Exploring a variety of techniques and processes within the experimentation stage slowly began to trigger links in my mind with how the material itself can represent how social, economical, cultural and individual structures are being broken down and lost through this misinformation, misguidance and miscommunication.

2.2.10

Paper Beauty (2009) - Newspaper, plaster and wax








30.1.10

Stephanie Bartscht


Design is a multifaceted subject that when well executed should encompass all aspects of life.
It is the synthesis of language, aesthetics, function and necessity fuelled by creativity which elucidate me as an interdisciplinary designer.
Conscious of the infinite power of design and the mediatory role it it plays in forming systems and societies my works are centred around the facilitation of a sustainable lifestyle supported by various mediums.

Addressing the escalating effects of mass consumption I aim to create public awareness concerning quotidian waste. Assessing and understanding attitudes towards waste and promoting a more logical alternative, I use my interdisciplinary skills to initialise change.

Employing digital, theoretical and social methods, interdisciplinarity is the driving force behind all projects.

Change advocating influences range from;




cast of teapot (plaster)
cast of teapot ( plaster black fiber flocked)
cast of cereal box (plaster)



29.1.10

Mohammed Aslam

Hello, I'm Aslam and I see my specialism fitting within the realms of material manipulation, material interpretation and material representation with further connection to emotions, feelings and the personal attributes (cultural, religious etc) which 'form' a person and their being.

The material(s) that you intend to use can sometimes enhance, alter, play or mould the way it is interpreted by an audience as meaning something else. The inclusion of a concept sometimes needs to merge with the material used depending on what the concept is. If the concept is about contrast for example then the material used may be the opposite but if the concept is the portrayal of a certain emotion than the material used is quite important as the material itself will speak before the concept itself. The material therefore would probably be connected with many other connotations to a particular person so in order to alter this, the concept would need to be able to interplay or be displayed for them to work together. It is all about breaking the boundaries further to interlink the many attributes within my own work and their connection to myself and others.

Many of the artists/designers that I am interested and whom inform my work are concerned themselves with human connections through the use of material:

Louise Bourgeois works has reconnected with me personally since she is the focus of my dissertation and much of her work is relating to her personal emotions and reflection of these through her material use -
Tara Donovan, another material based artist who have been referring to in many of my projects since the beginning of the degree, works with recycling of material to create these beautiful construction that take you into another world -
Anish Kapoor exploration of colour, illusion and material is also something that I am intruiged by and his exhibition at the Royal Academy of Arts in London displayed this :

28.1.10

Karen

My main specialist subject is Book Art; I am a very practical person and thoroughly enjoy making 3D objects useing a variety of materials including Perspex, Copper, Paper, Card and Fabric I also occasionally use Plaster, Clay and Wax. I use various techniques which mainly includes etching and shaping copper, using lazertran and using the lazercutter I have also used casting and intend to use this technique more in the future. I have worked with a few different themes within my work but my favourite has to be looking into historical events. My aim is to create books that are more like objects rather than the typical text filled instrument. I intend to further my skills in Book Art for my final major project.

Below are some examples of my work:


Day City Book Card, paper, ribbon

















City Book Etched Piece. Copper etched then oxidized.

















‘Untitled’ Perspex Book based on the Nazi Camp System used during WW2






a few images documenting my recent peices, using the lighting studio. the photoes them selfs in a way are paying homage to where my work originated from the"spray can" i feel like my work has becom far removed from the walls but still retains a sertain format or style that tastes like graffiti.

The peices are painted on found cradboard and bought foam board however i aim to recycal and find as much of my materials as posible,

the consept behind the peices are inspiered by adem neats idea of leaving canvases hung on nails around the city for the public to enjoy as an open gallery/ exabition and my self set mission of finding an openly appropriate form of graffiti that inspeiers and ingages with the pacer by and offends as few people as possible. http://www.elmslesters.co.uk/index.php?pid=13&subid=26

27.1.10

Jess Hone

Blog Statement. Jessica Hone

 

My specialist area varies between sculpture and body adornment to jewellery. I consider myself a “maker” and thoroughly enjoy experimenting with a wide range of materials, anything that I can get my hands on and can be manipulated in a range of different ways. Throughout my course I have used a huge range of materials ranging from found and recycled objects, resin, plaster, metal and different ceramics. I have particularly enjoyed using ceramics within my work and find it is one of my strongest practice areas.

 

In my last project I used laser cut leather to make two leather cuffs to evoke restriction and femininity. The main ideas within my work relate around the idea of restriction in body adornment an my last body of work was based on etiquette and manners, working with objects like doilies and cutlery and looking at how social aspects restrict people in everyday life. I intend to carry these ideas on throughout my Final major project. I have recently been looking at patterns created by nature for example types of corals and mushroom and am currently looking at ways of reproducing these organic forms.

 

I feel that some of the ideas behind my work relate to Jessica Falcus and also Elise Goldins work as they also work with body adornment and restriction although the outcomes and materials used are quite different.

 

Artists using similar ideas and concepts within their work:

 

http://www.velvetdavinci.com/show.php?sid=84

Velvet Da Vinci is a fantastic website very useful for those working with jewellery and body adornment. It is full of artists like Enric Majoral seen here who used ceramics and sand to create beautiful coral-like pieces.

 

http://blog.metmuseum.org/blogmode/2008/02/05/78/junya-watanabe/ -Junya Watanabe is a fashion designer that uses synthetic and technologically advanced textiles to create his innovative clothing. I particularly like his ruff dress and the use the honeycomb texture.

 

26.1.10

Ann Barrett

I have an interdisciplinary approach to art and design by working between both fields, using relevant materials suitable to each idea. I have used a range of processes from basic cutting and sticking for an installation piece to more advanced processes such as casting, metalwork and video. In past work I have incorporated scenes from everyday life and everyday objects such as wallpaper, cigarette stumps, ash, tobacco, fruit peel and berries.

My work has a central theme of drawing attention to everyday situations and objects, bringing the humble/lost/forgotten/un-monumental to the foreground with aims to imbue objects and situations with meaning or value, or to change the usual perceptions of objects/scenes. The everyday will mean something different to each person but the everyday I explore has links to memories, home and the city.

My final major project will be based on the ‘un-monumental’ everyday experience. This may be explored through one of these trajectories - city streets, nature (for example un-loved growths such as mould and weeds) and childhood experiences of the everyday (for example juxtapositions of the real and imaginary and novel uses of everyday objects). Children are artists in a way, with a rich imagination, they respond to everyday situations and can see the creative potential of everyday objects such as making a cardboard box into space station for example, yet they do not have the same capabilities or facilities to bring their imagination to life in the way adults can. For example adults are able bring to life fictional stories for children through TV programmes such as ‘The Borrowers’ through set design and also by creating books, animations, illustrations, graphics and sculpture. The designer Lucy Merchant has based her chair designs on child like drawings. Claes Oldenburg and Coosje Van Bruggen create large scale sculptures of everyday objects that appeal to the imagination. I am interested in the juxtapositions between real life and the imaginary.

Some of my work is similar to Mohammed Aslam and Kerry Murray as I have used casting to change perceptions of an object.

Relevant artists:-

Claes Oldenburg and Coosje Van Bruggen - http://www.oldenburgvanbruggen.com/
Lucy Merchant - http://www.lucymerchant.com/
Susan Lenart Kazmer - http://www.susanlenartkazmer.net/

Margaret Kay

I believe myself to be a sculptor. Within the last year I have worked with copper, excellent material for prototypes, transforming its shape to enable interaction between the viewer and the object. Within my degree I have experimented with structure and material which have led me to be confident within a choose practise for my final year and continuing work. Working with metal excites me more than any other material I have used. It is important to me for my work to be practcal, logic and engaging.

Peer group: 3D Objects, although each person in this group uses different materials and concepts we all have relevance to one another, a tactile approach. My work is more relevant to Sian Morrison working with form and occassionally sharing similar ideas. At the moment I am working on a journal blog that will follow my process and technique through to the end of the FMP, and also catalog past and present projects. http://mkay-fmpjournal.blogspot.com/

http://www.hannahedman.com/
Her work is delicate working with beauty and the unpleasant suggesting human weakness and underlying defense mechanisms.
http://www.sculptedmetal.com/
Paula Groves works with scrap or found metal. Flee markets or scrap bins, she uses these scraps to create work giving them a new whole.

25.1.10

Shanna

My discipline or specialist area varies through communication, purpose or function and alternate understand-ability, be it through 3D or 2D. I attempt to look at expression through forms. My comfort zone is working with image manipulations through using Photoshop and Illustrator, however recently I feel I am progressing in to 3D and sculpture.

Previously I have worked with forms that are readable: its function. I have also worked with existing forms and manipulating them by adding materials to remove its function. I have noticed a personal fascination of Sullivan’s theory; Form Follows Function.

I feel my practice is moving forward much more towards 3D, I would like to continue working with image manipulation but also progress it further in to jewellery and body adornment and looking at the forms in relation to the theory of form follows function.

Jessica Falcus

The work focuses around Body Modification and restriction through fashion, sculpture, adornment and installation. By the removal of movement we experience new feelings, this knowledge and understanding develops once we gain full movement once again; we become aware of the capability of our bodies.We also restrict our bodies when integrating into select social circles; we become mirrors of one another; we modify ourselves to conform.

Relevant reading:

Davis, F. (1992) Fashion, Culture, and Identity. Chicago. The University of Chicago Press.

My work is most relevant to Elise Goldins, her most recent work makes reference to experience and body restraint; through developing relationships with one another we can communicate common experiences.

Contemporary Practitioners of interest:

Gareth Pugh: His catwalk shows are projected as an artwork / performance, Pugh’s creations restrict his models as they move along the runway. Some more recent shows have been created through video link, which demonstrates the full potential of the garments structure.

Naomi Filmer: She celebrates parts of the human body; she isolates areas like the neck, shoulders and feet and creates a spectacle of them.

Zoe Bradley: Creates one off Art / Sculptural Installations for retail brands, to enhance their brand identity. The use of paper-based material makes reference to my own work. Paper forms are an area I have briefly engaged with over recent years, and also a key area for development through my final major project.

Sian Morrison

I see myself as an alchemist artist as I work with material innovation. I create body adornments, sculpture and have now progressed into spatial awareness and architecture. I mainly work with concrete and my projects develop through material science, technical analysis and ongoing collaborations with tradesmen.

I work with the preconceptions of materials in relation to aesthetics, psychology and form. I question what connotations a material has and work with the idea of transformation. Currently I have become interested in the impact of a form in a space and intend to work with the aspect of interaction and forced response.

My work within our peer group strongly relates to Kerry Murray’s approach to material innovation. Our concept of preconceptions is similar yet our development process and the way we address the issues lead to very different outcomes.

References of similar artists working with material innovation and similar concepts:

Anish Kapoor

www.db-artmag.com/en/51/feature/the-anti-architect---anish-kapoor-at-the-riba-in-london/

www.anishkapoor.com

Tara Donovan

www.acegallery.net/artistmenu.php?Artist=8

Tadao Ando

www.andotadao.org

Aslam Mohammed

Hello, I'm Aslam and I see my specialism fitting within the realms of material manipulation, material interpretation and material representation with further connection to emotions, feelings and the personal attributes (cultural, religious etc) which 'form' a person and their being.

The material(s) that you intend to use can sometimes enhance, alter, play or mould the way it is interpreted by an audience as meaning something else. The inclusion of a concept sometimes needs to merge with the material used depending on what the concept is. If the concept is about contrast for example then the material used may be the opposite but if the concept is the portrayal of a certain emotion than the material used is quite important as the material itself will speak before the concept itself. The material therefore would probably be connected with many other connotations to a particular person so in order to alter this, the concept would need to be able to interplay or be displayed for them to work together. It is all about breaking the boundaries further to interlink the many attributes within my own work and their connection to myself and others.

Many of the artists/designers that I am interested and whom inform my work are concerned themselves with human connections through the use of material:

Louise Bourgeois works has reconnected with me personally since she is the focus of my dissertation and much of her work is relating to her personal emotions and reflection of these through her material use -

· http://www.centrepompidou.fr/education/ressources/ENS-bourgeois-EN/ENS-bourgeois-EN.html

· http://www.tate.org.uk/modern/exhibitions/louisebourgeois/default.shtm

Tara Donovan, another material based artist who have been referring to in many of my projects since the beginning of the degree, works with recycling of material to create these beautiful construction that take you into another world -

· http://www.acegallery.net/artistmenu.php?Artist=8

· http://www.icaboston.org/exhibitions/exhibit/donovan/

Anish Kapoor's exploration of colour, illusion and material is also something that I am intruiged by and his exhibition at the Royal Academy of Arts in London displayed this :

Kerry Murray

I am a sculptor specialising in plaster and the process of casting found objects. I explore notions of space form and the alteration of perception of these objects through society, questioning their role within our presence. As I am a material based artist my inspiration and ideas stem from the process of casting. The transition from plaster changing its form and taking shape is something I intend to expand on in my FMP. This will explore the act of transformation between material process and concept.

Furthermore my studio practice will cross over to reflect therapeutic qualities and consider the act of art therapy within my concept of transition. In creating a relationship between these fields I am illuminating my potential as an interdisciplinary artist.

Within the peer group my work seems to parallel Sian Morrison in the way we are both material led sculptors. Although Morrison specialises in concrete we both deal with the innovation of materials within the art and design world. More so our concepts are similar in that we explore form and aesthetics yet Morrison’s practice tends to take a design outcome. In contrast my practice fits a more fine art approach.

Rachel Whiteread

http://www.luhringaugustine.com

Paula Chambers

http://www.paulachambers.co.uk/

Louise Bourgeois

http://www.oneroom.org/sculptors/bourgeois.html

The British Association Of Art Therapists

http://www.baat.org/

22.1.10

THE TERM INTERDISCIPLINARY

THE FOLLOWING TEXT WAS POSTED BY SCOTT LEE CROSBY (COURSE ADMINISTRATOR; LEEDS COLLEGE OF ART ON BEHALF OF LEVEL 6 BA (HONS) ART AND DESIGN INTERDISCIPLINARY STUDENT)

Please read on.............


The term interdisciplinary covers a wide variety of Art and Design disciplines; as a group of practitioners we found it extremely hard to differentiate as to which specialist area we position ourselves:

Members of this group:

Jessica Falcus
Kerry Murray
Aslam
Elise Goldin
Marianne Doumani
Sian Morrison
Ann Barrett
Shanna
Margaret

Please keep returning to the blog to see the work of these practitioners and see how they relate to the following:
The headings or titles we would give our practices and to highlight our interests are:
'Materiality: The stuff of Value' and 'Body Objects'
However each of these headings could incorporate Sculpture, Fashion, Jewellery, Adornment, Film, Metal, Ceramics and Glass, while also concentrating on natural forms, contrasting with functional objects. While considering different materials and disciplines our overall aim is to create a relationship between the wearer, the piece and the viewer.
Work of other Art & Designers is of extreme interest, we can analyse their forms and understand their meaning or concept; it is important to bridge the gap between the concept and the actual object.

The links below will hopefully give you an insight into other Artist & Designers that are influencing our current project work:

Pia Aleborg - www.piaaleborg.com
Hanna Hedman - www.hannahedman.com
Sandra Backlund - www.sandrabacklund.com
Sarah Angold - www.sarahangold.com
Katherine Wardropper - www.katherinewarddropper.com

Joe Torr

My practice is an eclectic mixture of medias with a lo-fi quality. My work is not usually permanent and mainly has a performance element to it so is limited to a immediate audience and only lives on within documentation of it whether it be video, Photography or by word of mouth. My work often contains some element of narrative or myth which therefore can be passed on through the oral tradition.

Andreas Slominski is an artist who is embedded with the story of an absurd action that preceded them. Story telling is an important feature of his work, acting to spread word of the work in a myth or folk tale fashion.

Simon Starling makes objects, installations, and pilgrimage-like journeys which draw out an array of ideas About nature, technology and economics. Starling describes his work as ‘the physical manifestation of a thought process’, revealing hidden histories and relationships.

Elgaland-Vargaland Leif Elggren and Carl Michael von Hausswolff proclaimed all Border Territories: Geographical, Mental & Digital as Elgaland-Vargaland creating a myth about the act and its legitimacy.

yoshua okon is a mexican video artist, his work A Propósito is an installation and video which consists of 120 stolen car stereos and a video of the artist breaking into a car and stealing a car stereo.

Iona Ascherson

I would describe myself as an artist/illustrator that has used a wide range of inspiration in my work. I have broken my work down in to 3 different themes, anthropomorphism, cityscape, and 'x-ray' vision. These all have undertones of symbolism and are suggestive of narrative and visual association.

www.andycouncil.co.uk/

http://www.peepshow.org.uk/illustration.php

www.anorak-magazine.co.uk/

Janet Allison

My practice moves between the fields of art, craft and design, developing ideas through material experimentation and learning craft techniques. Producing 3d work and collage, I explore the idea of the tangible and the tactile and encourage engagement through discovery, humour and movement.Through the use parody I twist and subvert common cultural narratives, leaving the viewer to query meaning and message.

I am currently working on combining elements of taxidermy and anthropomorphism with classical tableware objects of grandure and decadence.

ARTISTS SOURCES:

KELLY MCCALLUM : using taxidermy and precious materials to make sculpture + jewellery.
http://www.kellymccallum.com/archive/209/gallery.html

BARNABY BARFORD : creating humorous narratives from ceramic assemblages.
http://www.barnabybarford.co.uk/
GAMPLUSFRATESI : a design duo who focus on furniture, BUT it is this one piece “ANT'IQUE” that interests me. A great example of “the reveal”.
http://www.maricazottino.com/blog/?p=465

Catherine Chialton (Cake)

Recently I have been exploring the relationship between fine art and graphic design. Looking at my work, it tends to start with a loose narrative and expand visually. I have a tendency to use motifs and images and proceed to manipulate them in some way. I feel many different medias and forms within art and design influence me.

When looking at the research which was discussed on Monday, i thought the Zine swap website was interesting, as a more internal way of getting your art out there and discovering new stuff.

http://www.zineswap.com/

I also really like projects which have a bit of an edge, a different way of image transfer. I also like this project because of the alternative way of raising awareness.

http://www.uhc-collective.org.uk/portfolio.php?tag=14&project=54

I am influenced by design studios such as

Ill Studio

http://www.ill-studio.com/portfolio.php?p=9

Ice Cream For Free

http://icecreamforfree.com/

I also found the art market research interesting

http://www.kunstfreund.co.uk/

Jack Scales

My recent work is a reaction to today’s private, individual and even solitary existence that is found in a virtual community such as the World Wide Web. This online world we experience is merging and evolving into our day-to-day life. The time spent hand-crafting the objects and images contradicts the prevalence of digital imagery found in every-day life and revisits histories of arts, crafts and Northern European romanticism. Reference to familiar domestic objects is intended to make the work accessible to a range of audiences.

Chad Eaton - http://www.timberpreservationsociety.com/art.html
Mathew the Horse - http://www.matthewthehorse.co.uk/
Jack Hudson - http://jackhudsonillustration.blogspot.com/

Aron Klein

as an artist i wound define my practice as the over lapping of disiplins and the smudging of boundrys.i find my self constantly searching for the small gap inbetween thats not already defined and hence has room for my work to play and grow without a label.  so i gues my practice is either the act of being labelless or/and the disiplin of bringing photography, graphic design, graffiti, sculpture as well as public art all together. i see my work as an external manifestation of my thoughts with an aim of all my work being identifiable to me.
my progects often lead me to engage with and document the urban enviroment, translating my findings in to a form of narative for the veiwer. my work ends in 3 branches (gallery,street,shop): my work at large is designed for an external street enviroment however can be redifened and exibeted in a gallery space through the use of photography and both these styals influence my final direction of work witch is the creation of products and peices to be distributed through shops and other forms of outlet.

a few of my most insperational artist iv found recently!

herbert baglione has an incredable abilety ingage illistration and photography in a harmonious manner!
http://herbertbaglione.blogspot.com/

david ellis's work has had a strong influence on the way i see my work, with the realisation that the work can be the photoe of the peice as aposed to the peice its self or in his case a video, learning to be less precias with my work and less woried about taking a painting to far.
youll understand what i mean after watching this excrusiating but amazing video of his work. 
http://www.davidellis.org/work/?show=motionpainting&work=daily


swoon and monica canilao are two artists whos work blend in both in a gallery space or a street enviroment. both worth a look.

insa, an artist whos defenatly an insperation on crossing boundrys, with a strong street prcence and notorety aswell as being a respected artist .
http://www.insaland.com/category/portfolio/

21.1.10

Chris Wren

My work currently has been looking at masculinity and the way it has been affecting the male figure. I have recently been doing a lot of self reflection to decipher what it is that has drawn me down this path, to create new ideas and directions within my practice. The recent work within my dissertation has been focusing on this subject. This has also brought my attention to the sociological side of masculinity, which has broadened my view from just looking at the male figure. Also after the recent video projects which I have taken on not going as I hoped, I have decided to look through previous works to figure out what part of my practice I do well.



http://video.google.com/videoplay?docid=-8796749344506734237&ei#

http://www.rankin.co.uk/

http://www.nickknight.com/

Matthew Hynds

Lately my work has inclined towards video, exploring the medium from a range of perspectives (performance, installation, documentary making....). I have found filmmaking to be a very creative process, which tends to change organically as the project unfolds. For the Final Project, I intend to employ some of the techniques I have learned, to create a series of experimental music videos, which test the relationship between sound and the moving image.

Influence-wise, I am inspired by the collaboration between Chris Cunningham and Aphex Twin, several Radiohead videos (such as Knives Out, directed by Michael Gondry, below) and a few ads that catch my attention off the telly...

Knives Out
http://www.youtube.com/watch?v=2Lpw3yMCWro

No Surprises (personal fave)
http://www.youtube.com/watch?v=hbtuVoXkOFg&feature=fvst

Windowlicker (interesting relationship between audio/visuals here)
http://www.youtube.com/watch?v=2fmo1Sjn7dg

Honda (nice editing!)
http://www.guardian.co.uk/media/video/2009/dec/11/honda-ad

Kirsty Maclean

I am currently specialising in photography, maintaining a high interest in Anthropology and Sociology, particularly studying the 'Underclass' as defined by Sociologist Charles Murray. In preparation for my FMP and part of PPD3 I am exploring the possibilities of a hybrid between Photography and Illustration. I have studied Martin Parr almost religiously throughout my work and have based my dissertation on a collection of his work:

http://www.martinparr.com/index1.html.
My blog is http://kirstymaclean.blog.com/
My soon to be website is www.kirstymaclean.co.uk displaying current and past work.
My favourite website for research and new artists: www.itsnicethat.com

Martin Jessop

Martin Jessop situates his practice within a redefinition of public art. He believes that distance, uniqueness and monumentality of art works have been shattered by the ease of reproduction and access to art. But art works that actively involve the consumer consciously or otherwise changes the traditional gallery experience of viewing art and thus changes the impact of art in wider society.

http://www.jasmineraznahan.com/
http://www.weareyoung.co.uk/
http://www.queerculturalcenter.org/Pages/FelixGT/FelixIndex.html

Kate Dickinson

Kate Dickinson is an interdisciplinary artist challenging human interactions with everyday scenes, highlighting hidden spaces and forgotten places with the use of video and performance allowing the audience to attain a new perspective on the site.

http://www.tanyabonakdargallery.com/artist.php?art_name=Uta%20Barth

http://vimeo.com/2107116

http://www.vimeo.com/2860274

Roy Wood

Current Work

I have been self-reflecting upon my practice direction and considering professional possibilities. It has been helpful to analyse the feedback from the previous project to help me think more carefully about the purpose of my work, and who it is aimed at.

Research

Lens based media will play a major part in my FMP. I am exploring the possibilities of narrative within imagery, and have begun research to support this theme.

Tim Gruber – New York based photographer.
http://www.timgruber.com/

Cindy Sherman – American photographer & film director.
http://www.cindysherman.com/

Stanley Kubrick – American film director.
http://www.kubrick.com/
http://www.visual-memory.co.uk/
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