If Push Comes to Shove

A programme of film, video and television broadcasts (by Fishli & Weiss, Roman Signer, David Attenborough and Mud Office) 

featuring plant and animal life, geology and human activity on glacias, rocks, lava flows, caves, geezers, fields and deep under the sea

presented with drinks, food and some live music

A short review of PRE*

PRE* opening night (Monday 23^rd April) was hugely successful with a heavy footfall that (in the pouring rain) paid tribute to the promotional efforts in the lead up to the event.  Although the evening did not host much group discussion, the one-to-one type conversations between visitors and artists alike set the tone for the communication driven events of the coming days.  Elisa Heikkila and Carol Sowden’s participatory installations were particularly engaging exploring audience contributions/responses to bodies of work broadening the scope of experimentation and feedback.  The informal discussion was rich with quality criticism and interesting ideas triggered by the various displays/installations and became a valuable element of the programme’s process.

 Common room (Tuesday 24^th April) offered a second opportunity for a public exhibition opening with the addition of the consistent input from fellow third year degree students.  The atmosphere was lively and vibrant as the accessible nature of the ‘Enjoy’ art space encouraged the flow of people and interaction, with some featured artists taking the work from the space out into the street attracting much intrigue and positive reaction from passers by.  One visitor to the exhibition said:

“I’ve never been to an exhibition before and I don’t understand why people sit at home watching TV where everything is told to you, when you can come to an art exhibition and you can look at a piece and not necessarily understand it but you can look at it all day and find your own interpretation.” (Hell Boy. PRE* day 2)

Following the process theme, the exhibition space transformed as developments and reflection followed the opening night.  Discussion groups (Wednesday 25^th April) instigated much debate that often swayed from the proposed subject matter, however the relevance of the tangents reinforced the evident connection between individual practices and the PRE*/POST* proposal.  Tutorials were relocated to the exhibition space and took place within the central seating area so that the critical discussion and tutor input became a background conversation to the wider communal studio atmosphere.  One of the biggest developments taken from the experience of PRE* in its entirety has been the strength of the studio culture derived from the unsegregated space, allowing a visual conversation between both work and processes, that has begun to describe the underpinning narrative between the Interdisciplinary year of 2012 artist collective.  

By April Suzanne Comer

UPCOMING EXHIBITION

Work in progress event
PRE* is a programme of exhibitions, live artwork and discussions that divulge and examine the supporting actions and processes, both physical and mental, involved in creative activity. Making public the ongoing decisions that form a body of work will offer an alternative to the showcase of completed projects, putting the participant in the heart of the creative journey.

Joanna Geldard ‘Blueprints’

'Blueprints' Exhibition at Deda/Derby 29th March – 30th April

 

'We live our daily lives in a constant exchange with the set of daily appearances surrounding us – often they are very familiar, sometimes they are unexpected and new, but always they confirm us in our lives. They do so even when they are threatening: the sight of a house burning, for example, or a man approaching us with a knife between his teeth, still reminds us (ungently) of our life and its importance. What we habitually see confirms us…. Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light of glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.’

John Berger, 1996, The Russian Way Interstices, Opus 21

‘Blueprints establishes the staring into the everyday, it focuses on the point of the body in space and it attempts to still and quiet the body whilst acutely aware of sensation. These Blueprints, ‘half light glimpses’ of the everyday body in space; between place and space. The reduction of line is used to create a graphic scoring of the body in space. It is this scoring that establishes the blueprint by which to create large scale pieces of work. The graphic line is an attempt to complete a notation of the body in space at once universal and absurd. Two singular concerns arise in this scoring; that of movement and that of sound, yet the line by its very nature stills this and fixes it as notation. For this reason the connection with the musicians’ tradition of graphic scoring is demonstrated within the images as the body recognises pulsation and resonance as both movement and sound in space. Thus the body is merely shadow that reverberates as energy in space underscored by a line.' Joanna Geldard

Link to Blueprint publication

PAULA CHAMBERS EXHIBITION

26 March — 10 April 2012

Blenheim Walk

A Talk in the Gallery
Wednesday 28th March — 12.15pm

“My current art making practice explores the dilemma of what it means to inhabit a female body. I create installations and individual works that contain multiple layers of meaning; the work is subtle and surprising, disturbing and amusing. I alter and adapt ready-made objects that stand in as signifiers for the maternal body. I cast objects in unusual or unsuitable materials with the intention of suggesting an alternate reading of the original object. My intention is to promote in the viewer a complex response encompassing the cultural, political, social, historical and mythological agendas that inform our current perspective on motherhood and its role in contemporary society.”

http://www.leeds-artexhibitions.co.uk/?p=823

F******* Marvellous!

BA (Hons) Art & Design (Interdisciplinary) hosted a two day Flocking Workshop delivered by Belgian designers; Rudi Respeel and Jeff Rutten from Mechelen, Belgium.
Flocking is the process of depositing many small fiber particles (called flock) onto a surface by the means of an electrically charged ‘gun’, the technique fires coloured fibres at a glued surface or object, to create a soft textured finish... more

Rachael Forster, Level 4 BA (Hons) Art & Design (Interdisciplinary)

GIDE Dundee workshop in the news

Dutch magazine article about the Dundee GIDE workhop
http://www.items.nl/2012/2/29/design-action-dundee/


news article on Leeds College of Art website about the Dundee GIDE workhop
http://www.leeds-art.ac.uk/home/student-work-successes/successful-projects/gide-group-for-international-design-education/

Nine – Five – Nine. Work Together, Play Together

‘Nine – Five – Nine
‘Work Together, Play Together’
5-9pm Thursday 1st march 2012
Film Screening and publication exhibition
14 Park Square East, Leeds LS1

Art event on Thursday 1st March in an empty space in Leeds City Centre. Artists in Leeds are often asked to be creative when thinking about sites to respond to and ways to present their work. In addition there is a tradition of individuals sustaining a creative practice by working collectively or collaboratively. Art in Unusual Spaces would like to celebrate and unpick this by inviting film and publication submissions of new or existing work in response to theme of work, play, collaboration, collectivity, domestic and commercial spaces.

Artists include:
Kristyna Baczynski, Lucy Barker & Ben Ncm, Violaine Bergoin, Joanna Brinton, Stephanie Bryant, Clare Charnley & Patricia Azevedo, Annie Carpenter, Lex Clarke. Amy Connor, Rosie Curtis, The Den Project, Jade Ellis, Carrie Lent, Paul Matosic, Abi Mitchell & Josie Wells, The Print Project, Sam Renseiw, Michael Szpakowski, Topical Jungle, Harry van de Bospoort, Ben Warren, Philip Welding and more to be confirmed

Co-organised by 2nd year students from BA Art & Design Interdisciplinary and Art in Unusual Spaces

Supported by Leeds College of Art, Art in Unusual Spaces, Leeds City Council
http://www.artinunusualspaces.co.uk/home/

WASTE SPACE & MAXIMISE FLOW

WASTE SPACE & MAXIMISE FLOW
Workshop-event
Toulon Art School (ESATPM) / Villa Arson / La Station
16 – 19 January 2011
Charlie Jeffery & Dan Robinson (Mud Office)

Toulon’s theme, principles of equality, becomes an exploration of materials and processes of sculpture and the everyday. A programme of visits, screenings, object-making, actions and discussion provides material for individual responses and the collaborative production of objects, actions, video and documentation. Over 4 days, the workshop explores the strategies and processes of various artists, including Mud Office.

Supported by Leeds College of Art, Mud Office, ESATPM, Villa Arson, La Station, British Council - Erasmus Staff Mobility

http://mudoffice.eu/
http://mud-toulon.blogspot.com/